編舞家張婷婷以臺灣詩人席慕容的當代詩《一棵開花的樹》為創作核心出發，對充滿視覺描述和想像空間的詩句產生共鳴，企圖尋找文字與舞蹈另一型態「觀」的可能，藉由編舞者所擅長的舞蹈表演藝術重新建構並搜尋人們在情感層面曾有的記憶。

〈Con Saball〉Con在拉丁文中有共同、聯合的意思，而Saball是Salsa 與 ballroom dance 的結合，意思是當Salsa 遇見 ballroom dance，顧名思義即是一場國際標準舞與騷莎舞蹈交織的晚宴。 作品嘗試以當代舞蹈的思維，結合社交流行舞的身體元素發展，開啟一場身體探索的旅程，猶如剝洋蔥般一層ㄧ層地向內找尋其珍貴又美好的「心臟地帶」細細品嚐！

Body technology has memories of culture and emotion in the joints, muscles and every breath that moves and stretches. It shifts between memories and fantasy about the future. While the body of technology is not just about machines, but the signs of a change in worldview and the work of the body. Connected or disconnected, inside or outside the boundary, fixed or unsteady, displacement and residence. The body always creates a balance of self with every object, nature and space. But, we are often in an unbalanced situation and there is always a problem. M.A.R.S is a corporal question of anything that seems unbalanced. Driven by speculations and binary decisions of those rooted in many different locations. Because we are always in it, but do not really know what is going on.

這是皮塔從2015年開始創作到現在的一段紀錄呈現。從一個想要「離開現在」的念頭開始，進入到一段「獨特的時空」，記憶中與自己有關的幾個片刻。

The new explorative work in-progress deals with the concept of body-image. A concept that brings with it the societal expectation for people to develop a ‘perfect body’. Through our research we strive to enquire and find the extent to which one will go to achieve the perceived ideal physical state, or is it merely a question of the state of mind? We wonder while traversing this path, if there's a place for the soul - devoid of the body it is contained in? Will this pursuit unsettle our inner peace as we voluntarily subject ourselves to personal discomfort and the ridicule of people around us! When the body decays, do we risk losing our soul!

重複在某些事裡似乎是⼀種⼈性，⼤多數⼈總是因為枯燥乏味而停⽌前行，使得我們變得⾦⽟其外敗絮其中，忘了最原始的⽬目的總是讓我們困在⾃己製造的循環裡停滯不前。

到城市的街上跳舞 形著天馬行空 到城市的街上跳舞 為靈魂、為血液 有人在城市的街頭跳舞 在一旁的，可以觀看多久 不要再輕輕地 在捷運車廂裡蠢蠢腳掌靈魂

有些思緒無法釐清，有些情感難以言傳，深夜獨自一人，輕撫著自身，夢著，處於清醒與睡眠狀態之間，潛入奇幻親密的時空，與自身的創傷、情慾、恐懼、幻想不期而遇。 「夢境」是由記憶所織結而成的「現實」時空。身體進入多重時分的迴路，多層世界圍繞著睡夢者旋轉。記憶沒有抵達的理想型，並非凝固於時間的序列，而是朝差異無限展開。夢境的真實時空交織、變形、拼貼，如晨霧飄散。

我們借由「異托邦」的概念來批判、重構我們的生活空間，排除其任何原始用意與價值，進而重新定義空間的屬性。我們是如何想像、認知與感受這個生活的空間與城市。

『如果，我將寫封遺書給我們，那將會如何？』 ​ 那些粘膩滑順的迴圈，我們的指尖曾一同畫過 歡喜、爭吵、甜蜜或爆裂，千百個日子 時刻模糊邊界，模糊你我 重複在你之於我的你的步伐的我，如何立足？